Skip to main content

Nineteen Eighty Review: Satch's Triumphant Throwback to the '80's.






The virtuoso super-guitarist is back with a head-banger that mixes both his unique brand of delicious guitar music with a rollicking groove that’s destined to stay in your head for a long, long time. This is grandiose guitar music by a grandiose guitar legend who’s got nothing more to prove to the world anymore. Nineteen Eighty is simply Satch doing what he does best—surfing with music that’s alien in imagination yet talks to you and moves you on your innermost core.


Though I have to say that I wasn’t really as euphoric about it on my very first listen, cause how unusually different it first felt from the regular batch of ‘first songs’ that we've heard from Satch’s previous albums—from ‘Shockwave Supernova’ to ‘Energy’. And compared to those, this track felt a little ‘empty’ to me, mainly cause I was eagerly waiting for a scorching guitar solo that’d take me to the upper atmosphere and...that just never arrived.


So as you can see, this track actually tip-toes around that usual ‘face-melting guitar extravaganza’ that we’ve come to expect from guitar icons such as Satch. But upon replaying it with the newly released video, it has become perfectly clear to me that this was actually aimed to be a very different musical experience than the usual fare of genre tropes that we’ve heard before. And boy, does it shine at being itself.


‘Nineteen Eighty’ can be described as a love letter to Satch’s tenure as a guitar player with ‘The Squares’ in the ‘80’s, as he himself has stated before. He brings that whole vibe back for a grandstanding galore of tasteful virtuosity, guitar-hero swagger and stark musical richness. It’s a celebration of everything that makes Satch’s music what it is, and I love it for being just that—unabashed, in-your-face and exotically rich.


The best thing that’s prevalent about this track is how it’s got an air of lightness and joy that was mostly missing in Satch’s last two albums. Cause the main theme in those albums was the idea of re-invention and change, now of course we’ve had some truly great guitar music out of those, but they also had a heavy sense of self-awareness that ended up weighing in on them.


But ‘Nineteen Eighty’ is Satch unchained, where he lets go of all those thematic ambivalence and just lets it rip. In this track, he’s not trying to sound new or anything else but simply expresses himself and what makes him one of the greatest guitar legends to walk the Earth. And he channels all of that fervor through his guitar, summons ethereal creatures with it’s mystical screams and closes it all off with a romp that only fits on guitar deities like himself. Overall, ‘Nineteen Eighty’ is a double whammy victory of a guitar track and I can’t wait for what happens next (heh, a pun worthy of Satch’s discography) from ‘Shapeshifting’.


Here’s the track in all it’s glory, knock yourselves out. And after that, let me know how you felt about it in the comments section.






Comments

Popular posts from this blog

Dragon Age 2 guide: Bloodlusted Forcemage

The mage has always been the most powerful class in the dragon age games----dealing devastating area of effect (AOE) spells & single target damages enough to obliterate anyone dare to cross his path...until they start paying attention to him. As soon as his enemies get to him, he's dead meat. The mage is as powerful as he/she is squishy. But all that changes with the Bloodlusted Forcemage (BF mage). Remember the mage from the opening sequence after choosing the class in DA2? The BFmage is similar to that in terms of both raw power & defense. The BFmage do not hide & do not run away at the first sign of threat and can easily go toe-toe toe with his foes alongside the warrior or tanks. It was my second playthrough as a mage when I found this build after much experimenting with the class. And yes, the Bloodlusted Forcemage completely obliterates The Arishok in Nightmare with ease & that's when I know this build really works. Vulgar display of Pow

Dragon Age 2 guide----The Shadowy Assassin

"It's a ghost, it's a one hit killer, oh no it's the Shadowy Assassin"----Lieutenant That's actually the most apt description I've found for this unbelievably powerful build, believe it or not. The Shadowy Assassin (SA) is simply an unstoppable force of nature. He moves so fast that enemies have a hard time trying to get a bead on him, annihilates weaker foes with one shot (not talking about spike damage)----even after some archers actually manage to focus on him, all they can manage to hit is a rigged decoy ready to blow into smithereens. Meanwhile the SA makes short work of them from behind, and when that Lieutenant is the only one left standing, something beautiful happens----the mage puts a winter's grasp/cone of cold on him, the SA throws something at the Lieutenant & when he thinks he's got it figured, only the cracking sound of bones getting crunched is heard----poetry in motion. The fight is over before it ever had a ch

The Best Live version of Comfortably Numb

Pink Floyd’s Comfortably Numb is undoubtedly one of the greatest pieces of music ever composed on the electric guitar. And if you’ve heard the studio version, it’s literally impossible to not get blown away by the myriads of live versions of the solo that Gilmour has played through the years (or decades). And the great thing about the live renditions is that each of them brings a distinctly characteristic feel to the solo--making all of them memorable and stand on their own, it’s almost like different takes on the original studio version. For example, the Delicate Sound of Thunder version has a darker and more tormented feel overall, there are parts of the solo where it’s unlike anything ever heard from Gilmour. This version is also the most ‘badass’ and raw version of the Comfortably Numb solo, which was how Gilmour played it during the Momentary Lapse tour in the late 80’s. And until Live in Gdansk came out, this was my favorite version of the solo. Also, Gilmour’s gu